The analysers and meters are also much smoother, which makes them easier to read. Visually, everything is made better and clearer by the fact that you can now resize the window to fill the screen, making it easier to see waveform details and things like the gain reduction on the Maximizer. You also get additional built-in tools such as the Codec Preview, the ability to load and toggle reference tracks, bypass gain matching and extensive Dither controls.
The modules include the aforementioned Vintage processors and new effects (more on these shortly), alongside two EQs, a Dynamic EQ, multiband Dynamics, multiband Exciter, multi-band Stereo Imager, Maximizer and Spectral Shaper. The main Advanced version of the plug-in features a total of 15 modules that can now all be loaded together into a mega channel strip, which is a significant improvement compared to Ozone 8’s measly six slots (although your computer may hate you for loading all 15). Ozone 9 is available in Elements, Standard and Advanced versions, with the latter including some extra features, modules and break-out component plug-ins.Īs with previous updates, some of the older modules including the Vintage EQ, Compressor, Limiter and Tape have now been made available in the Standard package, making it an even more appealing proposition. I’ve been using Ozone since version 3 and it’s been reviewed in these pages many times over the years, so I’ll keep the synopsis brief and skip to the new and exciting bits. There’s also the standalone version for those that want to master outside the DAW.
#IZOTOPE OZONE 8 ADVANCED INSTALLATION PLUS#
This includes the main plug-in and its component modules, including the new Master Rebalance and Low End Focus modules, plus the Match EQ as its own plug-in and the Relay and Tonal Balance v2 tools. Loading up Ozone 9 Advanced in Logic for the first time will scan for 17 new Audio Units(!), so prepare for your iZotope sub-folder to grow significantly once again.
#IZOTOPE OZONE 8 ADVANCED INSTALLATION SOFTWARE#
Ozone 9 once again features a range of cutting-edge software tools that incorporate source separation, spectral processing, inter-plug-in communication and machine learning, but do the new features and modules make for worthy additions to an already well-rounded product? Mega modules It’s one plugin that I just love to abuse and I’m sure you’ll all enjoy it too, along with all the other offerings in this comprehensive mastering suite.Ozone 8 was released two years ago and since then, we’ve seen some excellent updates to Nectar and Neutron, so it’s (let’s be honest) unsurprising that iZotope has released a new version of its mastering plug-in suite.
Maximizer allows you to slam your dynamic range until there is nothing left, or delicately increase the overall volume a touch, depending on your intended audience. You can get the most of every dynamic level in your track without it hitting the ceiling, gently pushing all your voices into the realm of kick drum subtlety. Maximizer now has a couple of extra modes for more modern styles of music to allow even more squeezing of your sound without unwanted pumping. Of course, I couldn’t not mention the Maximizer, a feature that has been around in Ozone for some time and still gets me excited every time I open it up. This then breaks down into several sections of EQ stages, using the included EQ plugins within the Ozone bundle to bring your sound in line with the competition. The Tonal Balance plugin is a new step forward that looks at the overall EQ shape and sound of your mix and compares it to a range of tracks and genre reference points from a database of musical style to see how your tracks fit in with industry standards. With so much going on in this new release, I thought it best to just focus on some of the main updates and additions to Ozone. You don’t have to be an expert mastering engineer, you just need a pair of eyes and ears and the time to apply some simple processes to get the most from your music. This is how all the tools in Ozone are designed to work. Ozone then helps you bring the two closer together for a better result. This enables you to analyse sections of another track from the album you are working on, or a completely different track, already mastered, in a similar genre and compare how it fits against your master. A handy feature is the A/B track referencing, which allows you to load up to ten tracks into Ozone for cross reference listening. This package features 12 different mastering tools, all designed to work with you both visually and aurally so you can control your sound in the way that works best for you. Ozone 8 is available in three bundle sizes, but this month I was lucky enough to give the whole lot a test drive in Ozone 8 Advanced.
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